b	 i'm alex
a	 i'm sam sheets
a	 i'll get to the point i got a buyer for these records we both know we want the records you don't have a buyer for the records but you can easily take the records also
b	 
a	 if you get the records you lose a buyer
a	 if i get the records well
a	 i already have the buyer so if i get the records i win and you lose so i have a better idea he's looking to pay two grand two grand two grand the beatles caught his eye on this okay
a	 now there are other beatle albums in there but they could be warped or whatever he doesn't really care about that so it's like this two four six thousand dollars right
a	 he wants to he's willing to pay seven thousand
a	 okay
b	 for all of 'em
a	 for all of 'em but that means all of 'em so if if one is missing
a	 he ain't gonna pay he might pay a grand so the all the profits go down so i think that's what's best for us okay is we go halves on it
a	 okay but because i have the buyer alright it's three thousand you four thousand me because i have the buyer i i do get a thousand dollar advantage
a	 i do get the thousand dollar advantage but i also have the buyer if you get 'em okay you don't have the buyer
a	 granted you can get a buyer but will you get that much and on top of that
b	 
a	 on top of that what if they get damaged what if they inspect them 'cause this guy's gonna buy like that
a	 so it's either we we could take the chance of getting three thousand four thousand because i have the buyer we could take that chance which is to me is the safest thing to do
a	 or we could take a much more riskier chance go to go to fucking war
a	 lose out
a	 and even if you win you still don't know if you're gonna sell it
a	 i will guarantee you the three thousand okay i will put up the three thousand now
a	 but i get the records and i'll make four thousand that's i that's that's the about the best i could do
b	 
a	 as far as this this is the least of my concern because there's many fakes and it's not the highest item many artistic guys will look at the quality of it it probably is original
b	 
a	 it probably is original but there's so many of 'em it might not be that high on the market but it will sell okay
a	 as far as these these are another story okay this if if you want we can make an agreement where um you can have them
a	 okay and say okay i had this but when i sell them i have to give you a certain amount of the profit
a	 that way like let's just say let's just say because of the antiques nineteen twenties they're over they're almost a century year old so anything that's a century year old usually is going to the into the four digits
b	 
a	 i um used to run a pawn shop among other things but mm that business was mostly city business illegal guns and all that crap i'm sure you know about it
a	 and in pawn shops you're not gonna really get your antique buyers i'm sure so i mean as far as this this i'm not that big on but i we both don't wanna lose on this
a	 if you give me this deal i'll take that deal and then whatever you sell 'em for i would take like a thirty percent cut
b	 
a	 i know they're gonna sell for about three maybe if you're lucky let's just say five five hundred
a	 okay so if they sell for five hundred fine i get i get thirty percent
a	 if they sell for three hundred i'll take fifteen percent but how do i know which percentage you're gonna make it i'll make it even twenty percent so it's in between so it's in your favor you have 'em
a	 you can have 'em i mean your area's a little bit more ritzier than my area
a	 so i mean i i really i mean that's that's the best i can negotiate that's that's 'cause if you wanna go to if you wanna go to war we're only gonna lose
b	 
a	 remember i have the buyer i already have the buyer so if you if you take 'em
a	 you might not get three thousand dollars
b	 yep
a	 if you take 'em you might not get three thousand dollars okay granted
b	 mhm
a	 if i get 'em i get four thousand dollars but you get three thousand dollars
a	 because i already have the buyer that's the key now if there was no buyer
b	 
a	 then we would have to go to war and take our chances and then what would happen is let's just say you got two and i got one
a	 if you got two and i got one two thousand one thousand
a	 one thousand
a	 they're gonna want all three because all the albums are interlinked with each other happens to be a a a a collector's set and this came off since the uh the twenties
a	 they even got the old forty fives on it so i i mean it's a sure bet
a	 and eh and who knows you might have to wait or so xxx by by the time you sell 'em and
a	 
b	 
a	 and i mean it's the sure thing now
a	 nobody's buying shit now anyway so now that we have a buyer i would strike the iron while it's hot
b	 
b	 i don't know i kinda feel like it's a waiting game because those could appreciate in value like you said by the time it turns twenty twenty
b	 so i could be making
a	 that's gonna raise in value if anything
b	 mhm
b	 so i could be making i could at least double it if i get it now
b	 at the same time those are also gonna appreciate quite a bit more in the next twenty years and vinyl can last quite a bit
b	 so i don't know it's a tricky situation
b	 like you said you do have the buyer i would get three thousand outright
b	 but these items would appreciate in value
a	 that depends how long you wanna keep 'em
b	 well you know
a	 you're the tortoise and i'm the hare
b	 
a	 i have an antique store too
b	 yeah i run an antique store so
b	 
b	 i mean these if they sat on my shelf i could i could sell 'em now i could sell 'em in ten years doesn't really matter to me
a	 if you sell 'em in ten years
b	 uh 
b	 
a	 with the with the antique value you're not gonna be in a five hundred dollar range you're probably gonna go up to at least i'm gonna guesstimate at least thirty five hundred dollars at least but the thing is is how much is thirty five hundred dollars gonna be worth in ten years
b	 mm yeah 
b	 oh well that doesn't that doesn't matter i mean inflation will still bring the cost up
a	 in the nineteen 
b	 um 
b	 it'll still be the same i mean yeah hmm
b	 alright i'm gonna take one of the boxes 
b	 both the lamps
b	 and then we figure out what to do with the painting
a	 now you see if you want both the lamps and that box okay this can't be broke up okay like i said before if you get one why do you want one
a	 do you sell half a car
b	 
a	 do you say oh i got a sixty nine g_t_o and i want the tires what good are the tires yeah you can sell the tires but you're not gonna get nowhere with the tires
b	 
a	 okay if you have two
a	 okay so now you have the engine and the cars do you have the body you need the whole thing the guy the buyer is gonna buy it with the whole things yeah they can appreciate in value how do you know you're gonna sell 'em
a	 and you said that vinyl last vinyl does not last okay
b	 it's lasted since it was pressed so
a	 it it lasts until it's pressed but there's also risk factors of heat there's uh the amount of wear and tear on it
a	 okay they're recording all the vinyl records now okay if you take the one
a	 okay i'm i mean i'm not gonna i i i want the i want all three
a	 the reason why i want all three is 'cause is 'cause i uh you automatically get three thousand dollars if you wanna go on take two you might not get three thousand dollars i granted i understand your angle is um appreciation in the future and stuff like and like i said tortoise hare
b	 
a	 okay but i i won't accept it i will only take the three and if i don't get the three then all i'm gonna do is take the one and that's just gonna keep us at a stalemate and get nowhere
a	 okay and then if you gonna if you're gonna wanna take the one i mean i'm willing
b	 alright 
a	 all three with three thousand
a	 and you could have the rest
b	 alright let's do that then as long as you sign a contract right now
a	 deal let's go
a	 perfect
b	 
b	 alright
a	 the only advantage i have is the buyer
a	 so so that's it we're done
b	 it's true alright
