a	let's start norman yeah
b	um
b	but if you also are interested in those beatles we're in a tough spot
a	now i know i like a private buyer is looking for those so
a	so i if i sent those to amoeba they wouldn't give me anything if i go to a record store they i'm gonna get pennies pennies
b	what is that i don't even know what that is
a	but now if it's a private buy maybe it's gonna pay a lot but uh
b	i guess we either push the button or we
a	yeah we don't know
b	pretty much
a	that's a chance you gotta take right but or i think that selling records is has gone down with the you know with the use with the
b	that's pretty
a	but
b	i mean
a	i know beatles and stones and all the older stuff elvis presley they sell for a lot but i can't i
b	well what do you think sam well
b	i'm interested in the lamps myself and uh
b	i know for my business i can use the lamps
b	and uh
b	we can go from there you know i'll take the two lamps you can take two of the albums and i'll
b	take one of the albums and uh
b	we can split the picture you know fifty fifty
b	unless you want that you know that's fine with me
a	can't take it i can't take a chance at
a	there's gonna be some value in there
a	and i see minutemen that's from the eighties
b	yeah right
b	like collectors like i said collectors eat them up
a	you get records from the eighties and nineties they're worthless
a	they're worth a quarter a piece
b	okay okay
a	so i can't take the chance but
b	yeah
b	so the the three of these together would
b	yield me a good amount of money to
b	put into my nonprofit
a	i definitely got my eye on the two lamps
a	and probably one of the crates hmm
b	i have nowhere to sell these either i'm not interested
a	well this looks like there's a lot of forty fives and forty fives do have some value to them
a	yeah
b	certainly
a	so yeah i would definitely want
a	yeah i'm looking at maybe taking the the forty fives and and the and the lamps the two lamps
a	yeah
b	if we're gonna go about that we'd i would take all the records you take the lamp and then we decide who would
a	mm you want one of the lamps
a	so if you took the two lamps you you would allow me maybe to take the three records and the paintings
a	that or at least the you wanna take those two lamps from the actually from the twenties great shape
b	
b	that was easy enough
a	antiques
a	antiques would antiques antiques would dealers would give you pay give give you good money
b	um
b	if you take that one then i would like to take
b	this one and
a	and the painting
b	mm we can start from here on
a	you know that's medium priority supposedly yours 'cause i would take it so it's like a crapshoot with the for these i'm gonna hopefully
a	if there's some elvis in there it's it's elvis
a	and beatles of course you know
b	um
b	but uh let's go ahead and um and choose uh how many uh records uh you know we're gonna need here
b	um so uh there's about three different crates here um
a	mhm
b	mhm
a	would would be a
b	and um
b	those um these lamps and they have kind of a
a	
b	yeah we don't know
a	yeah but do we still have some time but i i get this
a	i know
b	uh that one
a	hope i'm not getting
b	xxx as i as i reiterate they are very unique and they're very rare
a	shamboozled wham shamboozled 'cause we they had to put those beatles things up front but you never know
b	yeah
a	tells me they still get if they left them in the store they took the good ones out and
b	and we call it a fair trade 'cause 'cause we spent fifty fifty and right now both of us you know i'll probably have to
a	just left left the left the stuff they couldn't sell who knows
b	mm
a	yeah
b	uh huh
a	yeah mhm
b	you know if we can split those records well there's three so we have to figure out the best way to split those records but
a	mhm
b	i don't care yeah so
a	but the person may have been locked out and couldn't get back into retrieve retrieve retrieve the good ones yeah
b	i mean it's just like i mean eh i mean there's different buyers for different things you know what i mean i mean
a	alright we'll be fifty fifty alright so we'll just split this i really yeah i definitely like my end of this
b	says who no i don't
a	yeah but really i could you know
b	and this
b	okay well let me have the crate box and you get the
b	you want this lamp or that lamp i'm getting confused
a	mhm
b	okay specifically but i don't have any buyers for this so if i take it
b	i uh it's like i gave up my definite sale for my oh damn how do i sell it you get what i'm saying
a	even though i'm taking a chance 'cause i i believe the record industry
b	i think a maybe a lamp and a case of records a piece and then we'll go from there
b	you think that would be a i mean we'd get the hard part done first or the the valuables out of the way
a	is is not is not happy they're collectible but nobody's gonna really pay unless they're uh some tycoon who's obsessed with
b	for lamps
b	i'm telling you i can sell them in my place and i'll go halves with you but you but you're saying you want the lamps to sell out of your record shop
a	with forty fives
a	okay
b	and we divvy up the stuff
b	so that would mean it would make a lot of sense if
b	your business and my business had different specialties right
a	i didn't hear that that worked
b	mm
a	mm
b	you don't want the painting
b	okay i'll take the painting and the crate box
b	and then that'll make it
a	mhm yeah
a	mhm
b	yup
b	sam alex alright so
a	he's got guaranteed value i gotta look to see what's in there but yeah but
b	yes we could
