a	alright so what are you most interested
b	uh
a	the lamps okay
b	hi
a	um i'm looking at the records
b	you know what i'm saying
a	um
b	
a	so if you're most interested in the lamp and i was most interested in the records
a	um
b	mhm
a	if we're gonna go about that we'd i would take all the records you take the lamp and then we decide who would
b	yes
a	go with the painting
b	negotiating um
b	how about forty
a	but then obviously if you somehow deemed the lamps more valuable than the painting or minute to you
b	god
a	it leaves you with possibility for more value
a	um there's all because there's more records to split up
b	you could take the records
a	um i would also be open to the idea of
a	if the lamps were most valuable to you
a	then
a	i could just take all the records you could take the lamp and the painting
b	the
a	and we could just split it like that down the middle
b	it doesn't have to
a	okay
b	yeah
a	um well to me the value of one
a	box of records is two lamps so if we treat it like that then
a	there is possibly a system where
b	wait
b	uh yeah that's fine to me the painting so basically they said like the lamp for me is worth what's it called um
b	one point each so let's say so there's two lamps so it's two points but for me the record is worth two of the lamps so let's say each record is two points each
a	i take two box of records
b	sam
a	the painting let you have
a	the lamps
b	
a	and then if we decide that two lamps and a record is fair
a	and i take two records and the painting
b	you got a ton of records in here this is just a few just a few but it is beatles
b	people would buy
a	i could be fine with that
b	'cause we've already
b	we've already met that deal and there's still more value left
a	okay
b	you like the print here too okay
a	okay
b	it's true but i don't care about fifty fifty so
b	uh huh
a	you're good with that okay
a	good with me
b	how about
a	yeah
b	yeah yeah anything
b	so
a	yeah cool
b	okay
a	yeah
b	you know yeah it's kinda tough i mean uh
a	i decided i would take two records and the painting leaving him one records and the two lamps
b	well let's see
b	the lamps themselves
a	yeah
b	yeah i i don't know why i like triple x's it always means something bad
a	okay
b	that that's just the way i'm going to keep it that's what i want i cannot i don't want to take the print
