b	xxx mhm
a	and
b	mhm uh huh
a	and the thing yeah and the thing about you know the records now that's that's the highest dollar
a	that's the highest dollar thing in here
a	you know so i mean if it's if it's fair with you
a	you know we can split the records and make and both of us make a profit
a	and then like this here stuff over here you know we can split that up to where you know
a	some kind come to some kind of agreement
a	you know like
a	i feel that you know some of the records now
a	see one one one rack of the records would be
a	say these this these two lamps
a	you know as far as price they say the lamps ain't
a	you know it's not really a big market and they say there's duplicates and the painting and that
a	you know so
b	but we're still each gonna be ahead of where we would be
b	if we were solo going solo right
a	yeah
b	well
b	i suggest for starters we both get a case of records
a	yeah it's a it's another set of records
a	so if you you get a crate of records
a	and we come to a a a deal
a	that's where now this these here these here been mass produced
a	so they not the value isn't so
a	what i would suggest is we take
a	you if you get the two set of records
a	you get your two crates of records i could get the i could get
a	say these two lamps
b	mhm okay
b	yeah i'll be more than happy to take
a	you know and then we have this
a	this here and we're
b	i i have we come to conclusion
b	okay well well good look i i hate to see the records go
b	um i really think i i definitely would have customers for those those vintage records there's a lot of 'em
b	i probably could get upwards of twenty five a piece depending on the the condition of the uh
b	the l_p itself but i i think um i think the lamps i could
b	i could i think i'm pretty sure i can move the lamps so
a	yeah
b	but then again this is all coming from the same supposed storage locker
a	no so i'm gonna if it's fair with you i
a	we could do it like this
b	
a	and we come out you know i feel we come out even
a	okay
b	what's your bid on this one
a	
b	yes
a	yeah
b	well i'll tell you what um
b	we can do that and uh i'll tell you what how about if uh oh let's say uh
b	i were to
b	let's say i were to give you these three here and keep those over there what do you think about that
a	lemme see how you doing
a	okay alright
b	why why why would you not want that
b	yeah but it also feels as though then these got to be so valuable to you and that makes me feel as though
a	yeah
b	these all all three of these will sell
a	you know the negotiation and
a	yeah 'cause i mean i i watch that storage wars too you know and i even had an interest
a	in you know getting out there and bidding for
a	you know some of them lockers or whatever
b	so what's the draw to lamps then if you're a music guy i mean 'cause i have i mean the guy who i like i mean he's always been about you know vintage music he's always been about spending records so
b	he told me to get as many records as i possibly can the next guy i got he definitely loves art deco but he only likes original copies that's why i got the lamps for him
a	and and it's it's it's about having the knowledge having the knowledge of what you're looking at and the value of it
b	well they both have the beatles that's the issue we have
a	you know because there's a lotta antiques and a lotta hidden stuff in the lockers
b	so you want three records
a	and
b	right you can definitely get rid of those two
b	and you got somebody for that right
a	materialize
b	only has a handful of records
a	uh huh
b	oh so we're back at square one
a	and and you see and and they've said that it's it's staged a lot of it is staged
a	you know
b	yes yes uh
a	but yeah i mean and and
a	the way and i mean they're cutthroat they're cutthroat in their business you know
