b	you know what what you want um uh
b	it it i i want i want
b	this okay
b	and so um
b	uh i don't know if uh i don't know if i if you would agree that i can have that
a	i hope so
b	you sort of have an artistic point of view but it's sort of not real quite sure if that would be something uh
a	well
b	get get get the uh storage locker
a	mm good so far
b	split it
a	right
b	yeah we went on here and took it well you i mean it was good doing business with you brother
a	mhm
b	um
a	right
b	you have been like a
b	you bested me
a	true
b	mhm
a	mhm
b	huh
a	mhm
b	i can't disclose who it is but it let's say it's a celebrity uh
a	sure
b	oh that you're supposed
a	well i agree with you with your assessment
a	um i would say too though
a	another thing we don't know about those records are is uh are they original releases are they original pressings or not which would kick up the value the value
b	ah on what
b	the the painting
a	sure
b	maybe there's a hidden photo on the backside of the painting
a	but the other thing i'm looking at too is the volume of records in each crate
a	and then that becomes a numbers game
b	
a	so uh
b	or either that's a ploy to you know captivate your interest
b	so either way it's a gamble
a	i agree with you on the two beatles crates 'cause it looks like there's there are fewer albums but if in either of those crates they're all original issues then well you've essentially hit the jackpot
a	but the minute man crate has more records in it
b	get down get down with it get jiggy with it
a	so i'm thinking you know you could have any number of things in there that would probably equal the value of those other two crates
b	i agree with that that would be that would be fantastic
a	sure
b	okay
a	the only thing i would disagree about though is the two lamps
b	so you ready
a	i think the lamps should be divided
b	mhm
a	'cause 'cause 'cause i'm looking at this as this is door number three
b	yeah it's some work
a	this is a this is these are the items we know the least about
a	i'm saying that it could be it could conceivably be
b	no because then it's a same it's the same predicament you just said you wanted some records and a lamp
a	i didn't make that assumption but but i see where you would make that assumption
b	but like i said that's just an album
a	mhm
b	it has been a while
a	right
b	well
b	uh it comes down to them albums i love my music
a	and i could honestly go either way
b	yes
a	i i see i see your point but
a	what we know about those lamps is they're both essentially from the same era
b	that's like that lady
b	uh a little while back in the news she found these i don't know if you
b	who the artist was it was i think it was da vinci or something like that they were in her attic or something and
a	and they're both in remarkably good shape
b	well i'm thinking of the t_v show where you can they open the door and you just kinda look in hey hey
a	so either one of them would fetch a price conceivably
a	comparable to the other lamp
a	that's the way i'm looking at it i see this if you split this either way whoever gets either lamp you're probably gonna come out reselling it and getting about the same as the other person just talking about the lamps
b	yeah mhm uh huh
a	mhm exactly
b	so you take you would take that pile
a	mhm
b	forward too so at the end we can say you get a b and c and i get
b	a b and c
a	mhm
b	alright
a	that's exactly what i was thinking right so so whichever choice of the crates you get if you know that's if that's feeling more iffy then
b	like i said it was uh hundreds of these and stuff uh my made and done over you know repainted
b	etcetera
a	true true
b	uh
b	i was trying i was thinking about all the records
b	all the records
a	yeah
b	you know if we can split those records well there's three so we have to figure out the best way to split those records but
a	okay
b	so i was maybe thinking hoping that
a	okay
b	here you wanna do rock paper scissors for this
a	i still feel this tickle in my brain that's telling me this is more records
b	yeah
b	so we'll just i guess we'll take like both record boxes then and then so that'll be four points each right
a	so it it becomes a grab bag at that point and i think that
b	i don't know
b	i know it's gotta be worth something right 'cause it has
b	um
b	you know it's a very i'm trying to think of the word right now
a	that's true it becomes a gamble at that point
b	yeah we'll go with both of 'em what do you think
a	mhm
b	
a	worthless
b	competitive right
a	but according to the information according to the information we had though
a	even one of these crates conceivably is going to
a	be comparable to to whatever you're doing over here
b	yeah
a	well the other option too is is to just let them auction off the bin
a	and and and see how we how it all shakes out
b	this one seems
a	no one of the we do have to do you know negotiate but if we can't
b	'cause they might they might sell they will sell
a	come up with something
a	well not back out necessarily what happens then is then the owner puts the the uh bin up for auction and then we'd both then just kind of take our chances and bid on whatever we want
b	something up in there but you know never know that might be a good deal in there but um
a	that was my understanding mhm
b	all the same i don't i'm not familiar with
b	minutemen
a	mhm
b	how about then
a	well let me ask you what's your proposal what's your what's your initial proposal
b	mhm
a	but then there's a question of which boxes of records
b	and
a	mhm
b	yeah we'll that that we could do
a	mhm
b	it would just be more of like a
a	and then there's that that peaches label on the on the the crate there i wonder if that's a subtle hint maybe
b	
a	or or that those records are worth money like that's the crate you want this is the cream of the crop
a	
b	so
a	oh yeah that's true
b	
a	it's a good question
a	with about the same amount of records give or take as this one has
b	
a	yeah
a	we didn't even talk about that the condition
b	well put
a	mhm
b	
a	so what do you propose as far as divvying up the records then
a	the same
b	yeah um
a	i think you originally said these two or this one
b	yeah well
a	mhm
b	you see what i'm saying you deal in a fashional or this type i i'm that's not what i do i told you i i'm just a music guy that's all i do
a	or those are all the beatles
b	i propose i propose i propose
b	mm what if we what if we did um
b	give you one of the lamps
b	and i will take this other lamp here
b	um painting is nice uh i want this
b	and one of these
a	yeah yeah exactly
b	uh nineteen twenties and stuff of course
b	um
a	that's a good point
b	right
a	i wouldn't've no
b	hmm hmm okay
a	mhm
b	but we're still each gonna be ahead of where we would be
b	if we were solo going solo right
a	mhm
b	yeah eh
b	eh eh
b	right right right but i i i'm gonna
b	i'm partial to sam i am yeah
a	mhm
b	cool um
b	uh i am from northern california
